So I will share my "other" art for the next few months as most of the character assets will be under wraps at least until we publish the app. But I have other quick art to share along the way and I can still talk about the process and provide the resources and journey textually, right?

So the next couple of days I'm looking at PERSPECTIVE. I need to nail it down for my Duke Day For Annie as well as for the other projects (Whateverafter, Becoming and Lytee).  As a matter of fact as soon as I finish the post I'll be sitting through this one: Four point perspective, and later on review some videos on animating in FLASH.

When I say nail it down, that means at one point I'm going to have to get obnoxious about drawing everything I see. I've found if you do it so much you don't have to "think" about, have a REAL grasp, it has an immediacy and power and you become fearless. I had actually learned this in artschool. I had avoided hands and feet as a kid, because they were too "hard". Granted my then-drawing teacher Ed Douglas had the modernist mantra droning in my ear, but it was still a joke enough that when I would draw it I would also label it: "This is not a CHAIR!".

Even then with the text and image.

But we were to draw hands and feet for a week, and a strange thing happened. After a few days of frustration, I not only started concentrating on the relationships, but fell in love with creating their image. I did compulsively, obsessively, can't-sit-my-butt-down-without-drawing-hands-and-feet for a month. Now I understand their forms so well, I can "draw" a hand from memory, because I understand how their forms work and relate. Which doesn't take away from the best way to draw, LOOKING at what you're drawing. It all just adds to the image, I think.

I did the same thing with the letters "r" and "s", when studying calligraphy. They were my problem letters. So I did them ad nauseum with the same process. By gummy my "r"  have rhythm and my "s"es are downright springy!

In other words, embrace what you avoid, often times you do it because you KNOW you lack. So give yourself that spontaneity and power.

Last night watching a bit of the tube, I could only allow it if I were drawing. To my surprise, I'd drawn Oscar enough he fell off the tip of my Sharpie. Which is fabulous because it will be easy to create a number of images of him and more naturally animate him.  Probably to get a little freer with him as well. Now to give myself the rest of the characters this week. Today I think will be kingfisher, koala and if I have the time, Duckbilled Platypus, because I keep "seeing" him.

Till then, this is my current "Agy" project for my Cafe Press Store, Imagyne. I have another one that is more calligraphy and writer, oriented, Agy Shtuff. My sister had suggested doing a series of "eyes". I had thought about play on words (this means Snake Eyes, in case it's not clear, lol).

Rocky road Annie...

I've had a hard time letting this one go. Somethings I know if someone else could take over; I don't mind the collaboration. But this project, has been particularly difficult on all kinds of levels. First it's not my story. It's a good friend whom I loved. Second, I knew her, the place, the history, but I didn't live in her time, didn't actually know the actors other than Ann, and I'm not African-American/First Nation (okay we do have the First Nation in common, and I think her dad did hie from Canada as my grandfather's family had, so we weren't totally unaligned, still this wasn't about our shared heritage, and I recognize the tale I tell is an undertold one that has meaning for a lot of people I don't know, and could be argued I don't have a particular sensitivity to). Still I am sensitive to her, the area, the history, the story. Part of the difficulty was feeling even qualified (I had her permission and help with this, so it was self-doubt).

Annie wasn't about the color of her skin, she was about living her life well, with joy and grace and determination, and I want that as well. So perhaps it is my tale to tell. The idea such a rich life might not be shared, pushed me into finish writing.

I also knew if I went traditionally, more than likely I wouldn't be able to do the illustrations. This was a toughie. Back and forth. I don't have a name, and more than likely I'd be paired with an African American illustrator, and many of my favoritest illustrators are black. But I love history. I love Old Orchard Beach, I love Ann. I would be okay with the idea and then get cold feet at the idea, because the idea of illustrating it just set my heart to beating. Truth be told I love the text but I wrote it for the illustrations, lol.

So self publishing, here I come.

The books by Tom Bancroft, I got for Margot's project and it helped immeasurably, impacted this as well. I will post the first two renderings of the first page (still unfinished, need to adjust a few things, and figure out what I'm doing with the text, whether using type (Perpetua) or calligraphic self-designed lettering as I'd first intended...

and here's an illustration I can't use, though I loved doing this drawing (hey loved it so much there's five different versions SOMEWHERE) but give you an idea of the feeling I want with the text...